‘Williamson understands the mould-breaking environment of this repertory, and offers committed insight.’ Ateş Orga, Classical Source
Nathan Williamson (b.1978) leads a highly individual career as pianist, composer and artistic director. Alongside regular solo, chamber and concerto performances, Nathan is in demand for new work from a wide variety of artists both at home and abroad. He also stages and facilitates projects at local and national level, ranging from collaborations on new repertoire, performances for the concert hall and theatre, and music-making activities for musicians of all ages and abilities.
Nathan’s career has led to performances at Wigmore Hall, Carnegie Hall, Amsterdam Concertgebouw, De Doelen, Barbican Centre, Purcell Room, LSO St Luke’s, and the Aldeburgh, Lucerne, Bolzano and Spoleto festivals, and collaborations with artists including Claire Bloom, James Gilchrist, Guy Johnston, Arisa Fujita, Linda Merrick, The Gryphon Trio, Njabulo Madlala, Boris Kucharsky, Alexander Baillie, Ensemble Endymion, the Allegri and Sacconi Quartets, as well as working alongside numerous living composers in performances of their work. Since 2016 Nathan has been a member of the renowned new music ensemble Piano Circus who, alongside their position as artists-in-residence at Brunel University London, have commissioned over 100 new works from leading composers and undertake regular international tours.
In 2020 Nathan will perform a cycle of the five Beethoven Piano Concertos with the Prometheus Orchestra conducted by Edmond Fivet in Aldeburgh and Snape Maltings. The first four performed in February were met with high regards for which Donald Sturrock wrote: Power, vulnerability and a sense of spontaneous invention are essential for great Beethoven performances and Nathan had all of these, combined in something that was beautiful, elegant, heartfelt and thrilling… It was a total joy to hear Nathan’s subtle, touching and yet thoroughly grand performance. Nathan will conclude with Beethoven’s fifth ‘Emperor’ Concerto in October 2020.
2021-22 will see the release of three discs on SOMM of British song from 1914 to the present day with tenor James Gilchrist, including premiere recordings of his own music and that of John Woolrich, Geoffrey Poole, Doreen Carwithen and Gustav Holst.
Previous albums include Nathan’s debut recording, Brahms and Schubert: Late Piano Works, was reviewed by Donald Sturrock as ‘a truly electrifying debut from a musician with a rare marriage of thoughtfulness and passion… I doubt this Sonata [Schubert D.959] has ever had a more powerful advocate.’ His first CD for SOMM, Great American Sonatas (2017), was hailed by Musical Opinion as ‘a landmark in recordings of American Piano Music’ and his second disc, Colour and Light, of British 20th century piano works, was chosen as Album of the Month in International Piano Quarterly: ‘No praise could be high enough of Williamson’s performances… Whether in the dream-world of the Delius Nocturne or in the fire and ice of the Herschel Hill Toccata, Williamson unearths musical treasure beyond price’ (Bryce Morrison). Both solo recordings, along with a disc of British 20thcentury works with violinist Fenella Humphreys for Lyrita (2017), also received 5 star reviews in Classical Music, BBC Music Magazine and Musical Opinion.
Nathan’s own work Trans-Atlantic Flight of Fancyis featured on NOW Ensemble’s album Dreamfall (New Amsterdam Records) and Homecoming, a commission for violinist Piotr Szewczyk as part of his Violin Futura project, was recorded on Navona Records following dozens of performances by Szewczyk and other violinists worldwide.
Other recent compositions include The little that was once a man, a song cycle to texts by Bryan Heiser, premiered by James Gilchrist and the composer, and a major new Sonata for cello and piano was commissioned and premiered by Charles Watt and the composer at the 2018 William Alwyn Festival. A short children’s opera, Machine Dream, commissioned by Mahogany Opera, has been performed in numerous primary schools across the UK in the last 12 months as part of the ground-breaking ‘Snappy Operas’ project. Other recent commissions include works for the Daejeon Philharmonic Orchestra, Tuscaloosa Symphony Orchestra, Bury St Edmund’s Cathedral, piano-duo Mariko Brown and Julian Jacobson, and Ensemble Endymion. A cycle of String Quartets has led to premieres in the UK and US by the Tin Alley and Barbirolli Quartets. Nathan has also been commissioned several works for younger and amateur performers by Pro Corda and Music Works chamber music courses, Rugby School, Waveney and Blyth Arts, and the Chamber Music 2000 project.
Nathan studied with Malcolm Singer and Joan Havill at the Guildhall School of Music and Drama, one of only a handful of students to ever graduate with a first in two disciplines. He won a scholarship to Yale University, where his principal teachers were Ezra Laderman, Martin Bresnick, Michael Friedmann and Joan Panetti, to whom he was appointed deputy on her revolutionary ‘Hearing’ programme of ear-training and aural analysis. Further postgraduate studies followed with Robert Saxton at Oxford University, before a period of teaching at the Yehudi Menuhin School.
Nathan lives in the town of Southwold, on the Suffolk coast, where he founded and directs the Southwold Concert Series and the Southwold Music Trust, seeking to make music a central part of the local community. He was also director of the Alwyn Music Festival for 2018 and 2019, an annual week-long festival of events all along the Suffolk coast in October. He is married to Daisy, a music therapist, and together with their two young children they love nothing more than heading straight out onto the beaches and beautiful countryside which surround their home.